Interpretive Signage: Principles and Practice
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Attracting visitors' attention

Look at this!! Attracting visitors' attention

Position, Position, Position
The first rule of attracting visitor attention is to ensure signs are placed where they will be seen. To do this, you will need to have some understanding of how visitors move through your attraction. Research in European, Australian and North American settings reveals that the majority of visitors turn left when they enter exhibition areas and progress through exhibits from left to right.

Regardless of which way they turn, however, it seems visitors are most likely to stop at signs and displays that are close to the centre of their line of vision. Thus, placing a sign perpendicular to a visitor's line of approach is a much better option than placing a sign parallel to visitor pathways.

One exception to this is when such a sign may interfere with their view of the exhibit or attraction. Indeed, in some places (eg. scenic lookouts) it may be intrusive to place a sign in the centre of the view, particularly if the vista is one that visitors might like to contemplate or photograph. In these situations, signs should be placed within easy viewing distance and the information clearly matched to the feature/s being described.

Example ExampleGo to top

You also need to think about the height of your signs. Several researchers have suggested that the best option is to have the centre of the sign at adult eye height, while others have argued that this placement ignores the fact that in many settings adults visit with children. Such a placement also excludes visitors in wheel chairs and shorter people. A better alternative may be to place the sign lower but angle it upwards.

Example

Other issues that should be considered are:

  • Has glare and reflection been minimised?
  • Does the position of the sun affect the legibility of your sign?
  • What lighting is available and how does this affect your signs/displays?
  • Does indoor lighting create shadows that affect the legibility of your signs?
  • Are your signs close enough to the object/s they describe?
  • Are there natural stopping points (eg. lookouts, rest areas) and visitor decision points (eg. a fork in the pathway) where signs can be placed?
  • Are paths and interpretive spaces big enough to accommodate the expected volume of visitors or will crowding make it difficult for people to concentrate on your interpretive content?

    Useful tips:

    It is difficult to read signs with bright sunlight behind them - check whether outdoor trails are best walked clockwise or anti-clockwise and whether this varies during the day.

    Signs in bright light are easiest to read if they have light coloured lettering on dark backgrounds, while those in darker areas are most visible if they have dark lettering on light backgrounds.

    Be careful printing text on transparent surfaces. If the indoor lighting creates shadows the text will be virtually impossible to read. Example

    Central placement of signs and labels can significantly increase the amount of time visitors spend looking at displays and attractions.


    Exercise
    Click on the numbers in the map below to reveal photographs of trail signs. Evaluate the strengths and weaknesses of each sign and provide suggestions for improvements if necessary. Some issues you might like to consider are:

    • Use of interpretive techniques
    • Positioning of signs
    • Accessibility

    Example Example Example Example Example Example Example



    Placement of signs


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Elements that catch the eye
Placement alone will not attract visitors - content and appearance are also critical. Research indicates that the following characteristics of signs and displays attract attention:

  1. Extreme things (eg. displays/signs that have very large, loud or colourful elements);
    Example
  2. Movement (eg. displays/signs with interactive sliding panels/ flaps to lift/ buttons to press);
  3. Example
  4. Contrast (eg. elements/items that stand out from the background);
  5. Items and information which are unexpected or surprising;
    Example
  6. Things that are connected to visitors; and
    Example
  7. Elements that speak directly to visitors.

    Below are photographs of a "discovery" trail used at the Port Arthur Historic Site. On entry, each visitor is given a playing card that is linked to a convict's story. Visitors use the card to follow 'their' convict through the exhibit and discover what happened to him.

    Example Example Example Example

    Exercise

    Do you think this approach enhances visitor learning and involvement? Why/why not? How would you introduce a similar 'trail' through your attraction?



    Catchy titles and other tricks

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Meeting the needs of special groups
Museums, visitor centers and tourist attractions cater for a wide range of visitors. The challenge for interpreters is to design displays and signs that appeal to a broad spectrum of visitors and are easy for all groups to access and understand. Some groups that have special needs in relation to content, presentation and access are